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61 posts19 participants4 posts today

My feminist SF web-novel Mars Needed Women is complete! 23,300 words in 31 chapters, one chapter posted each day throughout March, the last posted 23 minutes ago as I write this. Check out the cover art.

To read, either use the hashtag #RSMarsNeededWomen or this link to the first chapter: eldritch.cafe/@sfwrtr/11408894 The full novel is in the thread. Just scroll to read.

“A hopeful deeply-dystopian feminist SF story, with thinly veiled jabs at our current world's bad actors making for a bad future. Please note the past tense in the title: Mars Needed Women. The story's women are going to work to bring down the system, at least that part that's oppressing them, in a massive unscheduled disassembly.”

I'll leave it up for you to read for at least a week. After that, I'm revising it for later secondary publication.

[Author retains copyright (c)2025 R.S.]

#BoostingIsSharing

#Writever #Mars #SpaceOpera #writer #author #sf #sciencefiction #scifi #feminism #gender fiction #writingCommunity #writersOfMastodon

Continued thread

2503.30 31/31 — Wave #Writever #Mars #SpaceOpera

Marisela, aged 10, wearing her little Mars green enviro suit, smiled and waved a rust-stained gauntleted hand. They'd traveled to Jezero Crater. Behind her lay a famous scene of twin dark red rover tracks gouged into orange soil, between hills strewn with dark boulders and rusty shingle rocks. Dust storms and dust devils over the years had softened them. A crater wall stretched like a mountain range to the greenish hazy horizon. May Ri had wanted to celebrate Mari having suit-trained 2,000 nisei. Mari asked for a trip to Jezero with Momie. Reina made it so.

The image looped every 10 seconds with a blink.

In that blink of darkness, in memory, the cargo doors of the decapitated warship flew open. Her two-second delayed reaction had cost her daughter's life.

The North American Decath States had killed her daughter. She'd failed to stop them. She pounded the table. On the moon, that action pushed her from her chair.

"There you are," a dark-haired teenager asked, climbing the stairs into the observatory. Domes were built fully or partially buried, to protect from radiation. Few had windows, but this one did. Thick. 360º, with a full black sky above and a sun always peaking over the horizon. A cloudy blue world opposite entered a full phase, sliced off by crater walls.

Distracted by Mau approaching, she looked for Mi.

"No Miriam?" Rare.

"We caused Kyv to pull a muscle, but Mi's better at massaging. Give me something to bolt together any day! So, I answered a ping." She handed over May Ri's intentionally-left-behind book plate, then swiped the memory cube faster than her mother could jump, and slept it.

May Ri tapped a priority from Reina.

"I trust you," the recorded Onēsanue said. Her red hair hung limp. Her grey eyes displayed dark circles below them, transforming her freckles to ashes. "Your intuition said shoot the Bonhomme Richard despite the mayday. I insisted on international norms, that we attempt a rescue. I was wrong. My intuition was wrong. 1,323 people and your precious daughter died because I'd never been abused or oppressed by Earthers. I did not understand. I still don't understand, so I will say this: If leveling cities is your decision, or standing by and letting them cower in fear at what we might do is your decision, I shan't second guess you. I trust you." The message ended.

"Pfft! That was helpful!"

Maurine hugged her mother from behind, squeezing tightly, head on her shoulder. May Ri smelled sweat and Mi's rose perfume.

"Mau—?"

"Not happening, Momie!" She tried to bite her ear.

May Ri shoved her, laughing.

"Seriously. Ten minutes to the astronomical new moon. Next month a partial solar eclipse; today, we're in the sun's glare. You picked now symbolically, but you need to choose a plan." Mau's book plate filled will warning messages. One stated, "Get May Ri's rear in gear!!!" with 3 exclaims.

What was she to do? A blue world with billions of people led astray by a belief in an all-powerful invisible friend, or two, and a belief only money made friends. When she closed her eyes, she saw the red face of Mars, a flash, then another, then a distorted mushroom of fire and debris rising, as her daughter—

—had ceased to exist.

She envied the Decath, envied their certainty that there was a "better place" the dead would populate, would "live" happily forever.

She hugged herself. No. Her daughter was gone. Half-a-year ago. Nothing would bring her back.

Reina's trust did nothing to help. May Ri needed to prevent a repeat of that day.

Today.

Men had a brutal history of conquest, of killing the husbands and the children so the subsequent babies were theirs. May Ri read the books, understood the patriarchy and theology supporting it, and the Game of War. Women were no more than a prize.

Would she play? Destroy the capital of the States like they destroyed Herschel?

What would Marisela think? The girl had taught the Nisei to wear spacesuits because it made her more friends. Mau and Mi always said to make friends. Very Nisei.

"Friends?" May Ri asked.

Maureen gave a thumbs up.

May Ri didn't know what she'd choose. Her fingers typed in a code and keys.

Thorium SMRs across the Moon responded to loads as newly built spinlaunchers powered up, soon casting ton-sized payloads skyward. Southhome vibrated as the south polar set of twenty launched with a faint whump, whump, whump.

She looked at her book plate. She read the first target sweeping east to west. Cape Canaveral not General Washington City. She sighed. In three days, Earth would cease to have launch capability, except for the KJC.

"Let's warn them to evacuate two hours before impact."

"Sounds good," Mau said. #RSMarsNeededWomen 31

—END—

[Author retains copyright (c)2025 R.S.]

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Comic Crusaders Podcast #554 - Yelly Studios
Yee-haw and boo-yah! Today, your host Al Mega saddles up for a wild ride with the creative posse behind the Kickstarter sensation Atticus Crowe & The Voodoo Witch #01 – Western Horror Comic. We’re talking to writer Adrian Liput, artist Alan Gajewski (aka Algoyo), and artist Dawid Malik about...
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Continued thread

2503.29 30/31 — Matriarchy #Writever #Mars #SpaceOpera

Maurine watched Miriam slightly brush her chest against Kyv as she adjusted the book plate. Mau whispered in Mi's ear, "He's going to have trouble standing again."

"I know!" her sandy-haired twin mouthed. "Cute."

Kyv, their mother, and moonborne staff concentrated on a vid. The cargo starship jerked suddenly, starting to tumble. Res and perspective changed as the flyby view and magnification changed. The precision strike burst the fuel tank. The cargo bay opened; a robot arm checked damage.

"Maintain weapons range."

"Aye."

When the arm lofted a long black cylinder that resolved to a missile, their mother went pale. The scene before Hershel. "Fire! Fire now!"

Seconds later, the booster section shattered to shrapnel, parts tumbling, including the cargo arm.

"Ma'am?"

She wiped her forehead. "It's defanged—"

The vid whited out. Mi reflexively hugged Kyv. Ten mags out, a nuclear spawned sun faded to orange then red.

Kyv said, "Earth will see that."

"They pressed the button," their mother corrected. "Future May Ri's problem." She shuddered, sighed, and looked at Mi. Clutching Kyv. She grabbed Mi's ear and pulled her up.

"Ow! Ow!"

"Kyv? Are you married?"

"My wife died in the fighting when NADS took over."

"Girls. See what you get when you ask? Decath?"

"Is anybody still religious? After they crapped on the moon?"

"These two are serious. They're also adults. Mi!"

"Ow! Ow!"

"Mau?"

She got The Look and stood straight.

"Explain to him about consent and get it, both of you. Then about marriage, pods, nisei, and your expectations. Got it?" Waving at the embarrassed moonborne audience, "Them, too. So arriving crew won't cause problems."

Mau started breathing again.

May Ri discovered the moon wasn't devoid of women. 23, all with their tubes tied, forcibly, to 417 remaining men. They lived separately, in telescope and deep space network housing. When they voted to join the Sorority, the men agreed.

Soon parts of the DSN came up, including Sorority Prime, all narrowcast. NADS had isolated the dirigible station on Venus and the Long Term Titan Survey. May Ri spent more time as a diplomat listening to people vent than an engineer monitoring construction projects.

Thirty more vehicles launched toward Southhome; all quietly reduced to tumbling metal. May Ri thanked the ether for uncatalogued launch sites. Meanwhile, judging by actual ham radio traffic, Earth was losing its collective mind. Even readonly, the DSN became a rocket nozzle. If it weren't for the twins' insistence on finding "friends," they might have missed a missive in the torch.

"Raj has friends in the KJC," Kyv said. "Says the address looks good."

May Ri nodded, standing out of camera view. Kyv tapped and the vid cleared to show middle-aged and elderly men. Some balding. Asian features. Suits, two military with brass. A conference room. Scattered sitrep feeds. A simple white flag with a blue and red yin-yang sun. A man with dark eyes and hair bowed and spoke…

Mau said, "That's Japanese."

May Ri restrained her, so she translated where she stood. "We represent the Korea-Japan Confederacy. May we speak to the esteemed leader of the Lunar Republic?"

Kyv looked to May Ri. She whispered to Mau, who said, "Is this conversation private?" And, after an exchange of keys, it was. She added, "May we ask the matter at hand?"

"We politely wish to inquire with your friends about the status of an EM Mars colonial scientist named Yuki Īto."

"Reina's mom?" Mi asked quietly, now beside her twin. Both looked sad.

The hair on the back of May Ri's neck prickled. "We're supposed to make friends?"

"The KJC is not NADS' friend."

May Ri nodded.

"We're curious."

"Me, too."

With a RT of 8 minutes, which everyone understood, May Ri patched into Reina, giving a sitrep, before walking into view holding up her book plate.

[Translated]"Princess May Ri of Mars!" All those standing, bowed.

May Ri waved a hand in negation. "More of a joke than a title. I do what I can."

Reina started. "I am the Onēsanue of the Nisei. Yuki Īto died two days after the bombing of Herschel by our mutual enemy, from grief and sadness. Many mourn her. Why do you ask…?"

"Reconstructed war records indicate Yuki Īto was the last surviving child in the imperial line, daughter of Princess Sakura, daughter of the 131st Emperor of Japan, Ryohito…."

"I am Reina Īto. Yuki was my mother. She did tell stories about being adopted in the states after the war…"

All the men in the room stood. Those of Japanese heritage bowed deeper and longer, the spokesman saying, "I think our countries have a basis for alliance."

May and Mi said, "Isn't seeking friendship—" "—wonderful?" #RSMarsNeededWomen 30

[Author retains copyright (c)2025 R.S.]

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Continued thread

2503.26 29/31 — Night #Writever #Mars #SpaceOpera

"You still insist the damage is consistent with meteor strikes?" the HighGo supervisor asked.

"I've matched V with the debris field." Kyv, the acting Lunar Territory COO sighed. "I've eyes on; the holes are irregularly sized. Not slugs! You don't believe me?"

"No vid feed."

"HighGo cut out our maintenance staff."

"RTFM. It's a coincidence International Earth Docks got hit in HEO and Earth LR Docks got hit in LO, but your Lunar Orbital didn't?"

"Yes."

"This won't fly. Out."

Kyv rubbed the bridge of his nose. The vid would have shown multiple angles of attack. Attack! He whispered, "Bad enough we're virtual slaves. Now NADS wants us as a scapegoat for some bogie that escaped their cage?"

Krump!

His transorbital shuddered, and he cringed. A meteor? While long range comms went solid red, ship-to-ship now blinked green. A survivor?

He tapped it. "LT-TO-1 here."

"Look outside." A young woman's voice said, before a collision warning went off.

A shadow that ate night swam in the stars, eclipsing tumbling metal and plastic. Faceted but rounded, it looked spidery as he squinted. A weak radar reflection screamed stealth, military—but nobody had rebuilt the deadly toys since the Orbital Reaping 35 years ago. Economics.

"Identify yourself," he said.

"Is she friend?" asked the voice. A second added, "Or is she foe?"

A third woman said, "Mau, Mi, stop that! Please deorbit to base. You'll find a gift there."

With LRCs down, what choice did he have? When he set down at Southhome Docks, a three story cylindrical package rested beside its tumbled over retrounit. The spider craft set down beside his and turned lunar grey.

"Invite us in."

The two… were they really teenage girls? They caught his eye, more than their spidery haystack automaton or the suited-up industrial robot holding a book plate toward them; suited because a man rode inside. Kyv saw no guns; he hoped. A sandy haired and black haired girl unzipped their suits and squatted provocatively with frog-like agility. He smelled rose.

One waved, saying, "We wanna make friends." The other added, "Are you excited about your gift?"

The book plate lit up. Kyv recognized the woman on vid. "The Princess of Mars and her Five Daughters!"

May Ri, in her alighter outside, watched the growing crowd of men, wiry, lightly muscled, androgynous for that, all moonborne, adapted to 1/6th gravity. No weapons. She sighed. "You saw the vid of the nuking of Hershel?"

Many nodded as Kyv said, "That viral 'hoax propaganda' that got us ordered to shut down the deep space network?"

"I now have four daughters."

He looked down. "To live is to be beaten up, or crapped upon."

"Please don't retransmit our visit."

"How would I explain you being here?"

"Or the 50 MW Thorium SMR I left on your tarmac?"

"A 'gift?'"

"Yeah," Mau said. The twins studied the handsome night-skinned moonborne leader, as he had them. Green eyes, white teeth, and a tight jumpsuit made a nice package. It explained Mi whispering, "Mars needs men."

May Ri quickly said, "With an offer to restore the Lunar Republic, or you can join the Sorority on Mars."

"In exchange for what?" he asked.

"Let us complete a project that would be detectable from your orbital—"

"The meteor shower?"

"Not natural, but you guessed that. We want you to overlook some escavation. The projects will protect the Moon and Mars."

"If we don't agree?"

"You lose your orbital, maybe take damage in the attacks if we're detected. You miss out on our friendship—and get to explain the SMR to your NADS overlord."

While he discussed it with the others, May Ri's comms squawked, "Vandeburg SFB just launched to polar, likely headed your way."

May Ri asked Kyv, "Are you expecting resupply?"

"This decade? Ha!"

"Explain this."

He peered at a vid of a tiny torch rising over cloud cover.

"Want to ask HighGo?"

When Kyv frowned, she said, "I snooped your HighGo convo; they distrust you. They've left you stranded because you can't live on Earth, which means they can't close up shop. I'll trust you to ask."

Nodding, Kyv tapped the address… and got a banner:

NADS Central Command
Your key is invalid.

"But… I've got a COO key!"

May Ri shared a squawk, "Confirmed its leaving Earth orbit," then showed a plot curving toward the lunar south pole. "A ballistic trajectory. They really distrust you."

"You're faking that."

Mau and Mi said, "Maybe she—"

"is. Maybe she—"

"—isn't?"

"Here's a freebie: Boost your orbital 1 km ASAP…"

"…Okay, we'll agree to your request. What about—"

"—that starship? On it. If we get it right, they'll blame a malfunction."

Mi walked up to Kyv with a real pen and paper. "Real friends sign contracts." #RSMarsNeededWomen 29

[Author retains copyright (c)2025 R.S.]

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@johnyNocash
YW. As with an generalization, there's exceptions, but networking and knowing people, and your agency knowing people and I'm not a small part you having a potential to become a BRAND is how it's done. Having a great idea and building a following and getting word of mouth can do it l, too. Few baseball players make to the big leagues. Doesn't me they don't have fun playing.

[Grammar B] It’s a bit like art

That's exactly it. I'd always sought rhythm and eloquence in my writing. Not poetry; instead, like an Obama speech, maybe. Grammar B is that. It's words out loud. In your face. It's the song with both the lyrics and the sheet music, and it carries the reader along with bits of story like bars music with notes and ligatures and dynamic marks. It can become florid, however. When it gets in the way of transparency, I revise it out.

Today is the 5 year anniversary of NearlyKnowledgeable! I am grateful for all the support I've received on this journey! Being able to share Shropshire's story means so much to me. I'm feeling rather emotional thinking about how far I've come!

nearlyknowledgeablehistory.blo

nearlyknowledgeablehistory.blogspot.comThe Sin Eater The concept of Sin Eating was first introduced to me when I was a teenager, on reading ‘Precious Bane’ by Mary Webb. This fantastic novel (...
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@Rozzychan
Legal isn't the issue. "Is it constitutional?" is the question. Trump is making laws. That's a legislative function, Congress' prerogative. Trump is supposed to enforce only those laws, but if he refuses to do so, what's left?

The federal justice system is constitutionally under the executive branch and uses his delegated power, but he IS NOT faithfully upholding the laws. The justice system is made of tens of thousands of people who individually want to keep their jobs, to feed their families, to pay their mortgages. It's a powerful lever. These people have a constitutional right to refuse, one might say a duty, and they know they will be fired.

They won't refuse, because they are just people. Like you. Like me. Trying to survive.

This happened in Germany in the 1930s.There were plenty of jews who thought themself as German first. That worked out well.

That's the dimension of what's happening. Nothing can be more un-American than this.

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#ScribesAndMakers #TTMD @sfwrtr

@ianscraper

Many authors incorporate their own experiences and autobiographical elements into their stories. How is it with you? Which of your works contains the most of your personal experiences?

I hate to admit it, and I know a lot of people would disagree, but I don't consider myself a particularly interesting person. It may be one of the reasons I'm so bad at parties. Small talk. Scary. They'll think I'm an airhead. My shyness doesn't help that.

That said, I will admit some of the internal dialogue in my 1st person characters greatly resembles the character of my own. (Oh noes, now people will really give me dirty looks.) I do cook; that's definitely in my stories. I am rewriting a main character in an epic fantasy to be a fine art and event photographer because I can relate. I've done it; I can give details. I've even gotten paid. An evil character in a published book was my experience of my evil† stepfather. It provided a certain verisimilitude.

I'm not going to write about being a programmer, though, or sitting at a desk writing stories, or exercising each morning. Too, blah.

To say whether or not any story is even close to being autobiographical, or having more than the most peripheral personal experiences, is impossible.

I am Walter Middy.

Well, not really, but you get the idea.

————
† He was evil.

[Author retains copyright (c)2025 R.S.]

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@RMiddleton

I would like to ask (& apologies if it's been asked) how you enjoyed today?

I thought it was fabulous. I'd do it again. It makes me a lot less afraid of getting interviewed on a podcast one day, as I'm told will be important to advancing my career. The unexpected questions by people who did know something about me really allowed me to pull together a lot of ideas and discuss them. I got to write a lot, which I love, and avoid writing a chapter I really ought to have written and wanted an excuse not to, so that worked, too. ☺️

Okay, I also like the attention! 😇

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@sifaseven

What's the most difficult thing you had to write? (Difficult because of subject matter or how to convey what you wanted to tell)

Difficult due to subject matter. My WIP, Reluctant Moon.

English is a difficult language. So many words have so many meanings, that if I state one thing, I will inevitably state other things I don't wish to state, so I will dance around some stuff.

I am probably overthinking the issues. The story takes place in a different society with different standards and radically different gender roles. Western society and the world overlay of patriarchy sets subliminal standards we all subconsciously expect men and women to adhere to, and judge them accordingly. In many ways the story questions our view of reality.

I end up getting blocked and unable to write periodically (tho it's at 71K in length), and I question whether I'm revealing to much about my inner self and what I'd wish would be, and not the shit that is. Of course, in these times, many people feel like heretics just for being themselves.

I was recently heartened to read that Robert A. Heinlein's A Stranger in a Strange Land was written two decades before publication, and he and his wife agreed that the work was way before it's time, and waited. I'm not going to have the hubris imply that I think my work is in that league, but when you find yourself writing something you think could be labeled dangerous, you get to thinking...

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@QuasiTemporal

With parenting, I rarely have time to get to tags…

Good parents are what make the best future citizens. With your time zone admission, all the Australians are going to be sad you're not one of them.

Cheaper Q: Is there something you wish you'd been asked today, and wasn't? Include your response.

** Why did you decide to write #RSMarsNeededWomen?**

  • The #writever prompts for the were all about women's rights, and I'm a feminist writer.
  • The card with all the prompts (in French) had the word "Mars" on it. Okay, that's French for March, but still! I'm a feminist SF writer and my head EXPLODED.
  • A certain man with the initials EM seems to think Mars is a place to make his boyish macho wet dreams of patriarchy run rabid into reality. Too good an opportunity to write thinly veiled satire about an EM Mars Colonizaiton Corp and their silvery starships going bankrupt.
  • With the latter firmly in mind, and the US being dominated by shortsightedly stupid religious fascist oligarchs, I decided I needed to write a story where that becomes the new normal, only to unravel (albeit in a hundred years) under the pressure of a woman's perspective.

Alternate Q: I notice you include "author retains copyright" in posts. Did you have a bad experience, is this simply what you do on all platforms, or is there some other reason?

Look. I get it. People copy ideas. Nothing anymore is original. The copyright notice is a warning to be inspired to write your own stories not claim mine as yours.

However, the most important reason is to present a copyright notice for AI and bots to gobble up with my content. I want to cause digital heartburn. Yes, copyright is implied in the US, but some computer-zealots don't understand how it works until somebody copies their stuff and then, Oh Noes! The notice allows me to prove I wasn't putting it in the public domain. Not only do I have original copies date stamped in my filesystem, but I have backup archives from Mastodon. (I'd put the notice on a webpage, were I building a site.) Moreover, if my content really gets stolen, I have the proof that if an idiot republished it, even inadvertently as they could write software to prevent that, I can fight them in court.

That said, if I spark and idea in your head? Go write it!

[Author retains copyright (c)2025 R.S.]

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@anderlandbooks

Dear RS, could you choose one among your stories that's your favorite? Which one?

I could. It's a fan fiction novel, however, and I don't want to mix this pen name (the SF and Fantasy commercial author) with the other pen name. The good news is the plot lines and the major characters are my creation. I am rewriting many of the stories totally in my own universe, now.

[Author retains copyright (c)2025 R.S.]

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@johnyNocash

RS, you often post with authority - I mean that as a compliment

Wow. If you met me in person, the dichotomy would astound you… until I got to know you. I'm quite shy.

How would you describe the difference between your writing now and when your first work was published?

First and foremost, I wrote in 3rd person close perspective. Ideally, the narration revealed nothing the POV couldn't experience through their senses. I can't say I was perfect at it, but it got published. My grammar had issues, but frankly, it was often better than that of authors who wrote bestsellers. Remember this: Best sellers are not written, they are made. By editors, copywriters, marketing, media hype, and people spending money to make it happen. What my agent said about my writing is germane, however. He said I told great stories.

I want to believe I still do.

Now adays, I write in 1st person. My characters are the narrator of their stories, and to an extent the stories are about who they are in their head as well as their actions and adventures. I'm also less afraid of revealing their inner (possibly perceived as perverse or perverted) secrets, which, of course, reflects on their author. To the extent that I get writer block, it's what I fear other people will think about the content that stops me cold. If you look at my intro on the profile, I've a little mantra about telepathy there; in this context, that tract might be more interesting.

I've veered away from worrying about grammar. I'm a Grammar B writer, which means my high school English teacher would fail me. I write as if I were telling the story aloud, and if that means I end up rambling, halting, or making incomplete sentences… Well, that's the way people talk and tell stories. In real life. Makes my prose dynamic (except when I go overboard). I'll admit a lot of the composed Grammar B gets standardized during revision. I've some worries about THIS paragraph, so don't take it as a real example. Please. But you get the gist.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr

@CA_Hawthorne

I often see it mentioned that you deal with “issues of gender.” What do you believe is your most representative, or favorite, example of that?

[If you think my answer misses your point, please restate it and I answer again. —RS]

I'd like to say it's my writing. As a shy person, it's nothing I've done physically, for sure, but I do fancy myself as the person behind the throne giving advice. I think my spouse would credit me that much, to do with my spouse's business. I don't mind being a supporting role, but that's not what you asked…

My stories often take a contrarian tack. At first about girls who fought for the privileges the boys had, but that's almost passé these days. My Reluctance Stories will ignore what we consider gender roles (and shame) completely, and seeing how it changes men and women will be the point. I've recently taken a different tack with my #RSMarsNeededWomen web-novel that has MC having an abortion despite living in a theocratic society, finding a husband, bearing five kids, fighting off men who view women as chattel, and becoming a engineer who helps an increasingly female Mars break free from Earth. Not sure if the story will end with a bang, since it is written and published day by day, but I think it works. Agency despite gender is important.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers #TTMD @sfwrtr @amPennyfeather

What is one thing you've always wanted to share about one of your stories/your writing experience that you've never had an opportunity to share?

I can't answer that one off the cuff, I'm afraid. But I will say that my stories are often a reflection of how much my mother's life made her a hero for me. She was a 1st generation American and a black sheep in the family. She was a bailbondswoman in the 60s (and did her own bounty hunting), participated in the civil rights movement, and even (she said) burnt her bra. She raised me, while helping run companies, often as a single mom despite multiple marriages. She didn't take shit from men, except when she did. She was far from perfect, thus so are my characters.

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@youseeatortoise

Why first person? What's the draw?

CW: I rambled.

I think 1st person the natural way people tell stories about what happened to them. Personal stories with all the warts are the best, I think. If you look at all my responses to all the prompts, you'll see I'm telling my story, and to get meta about it, I'm telling you my story now. This is actually my writing style.

To me, 1st person POV feels very personal and I feel it is relatable by all readers. Most people don't go around telling stories that happened to other people (3rd person in a nutshell), nor when they do so, do they feel comfortable asserting what those people felt about those events, especially if those events are impolitic or sexual. Maybe taking on the role of the narrator, they may say how they feel about the people who act they way they do in their story—but that's another level of complexity and can off as hypocritical. Furthermore, I feel betrayed when a 3rd person narrator doesn't tell the absolute truth. I expect truth from 3rd person, whether it's from the POV character's perspective, or a limited or an omniscient one.

It's very hard to master all the requirements of good 3rd person narration. It proved so for me. That said, my #RSMarsNeededWomen is the first 3rd person story I've written in many years. I chose that because 1st person isn't exactly a compact or concise POV, and fitting a novel into 31 long toots is hard.

In first person, as in life, the POV tells their story their way, making observations and commenting on what they feel about that. Imagine some embarrassing or revealing situation. How are you going to tell that story starting with the word I? Right, you will spin it. 1st person is all about perspective. Ours. We all censor. 1st person by definition is unreliable narrator, but as listeners we've learned how to read between the lines, to detect the white lies and black, and interpret the spin. Conversely, people may also be confessional. Maybe the POV wants to be seen in all their evil glory, or is simply rude and impolitic, but isn't so foolish as to let it leak out in word or deed. The dichotomy between private thoughts and public action can be breathtaking. Who doesn't like some unfiltered wise cracking and unvarnished cynicism, especially when paired with external integrity?

I hope that answered your question.

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@KurtHohmann

Do [writing and culinary arts] intertwine for you?Do you ever use cooking as a creative "palate cleanser," a means of refreshing your brain toward a creative writing project? Conversely, does kitchen-craft ever play a role in your fiction?

A good story is the best palate cleanser for me, whether that's an anime, a k-drama, a story read to me, or a book. I've many times thrown down a book and rushed off to write.

Writing then going off to cook to relieve stress? Not so much. It's usually hunger that grabs me by the nose and drags me to the kitchen.

Kitchen-craft, however, does play a role in my stories. I've had a future prime minster have her friends over while awaiting the results of polls, cooking everyone a meal of (essentially) goat birria. In another story, a state dinner shows the dynamics at court, what dragons can eat and other humans can't, and setups up the steamy NSFW scene that follow. Then there's this that I recently wrote:

Most days they ate at the Commons, but today she cooked vegetable soup. Raquel, who worked the farms, insisted if she wanted fresh, she had to pick fresh. They roamed the acres and acres of green fields set to specific Earth months and climes. She cut Napa cabbage, pulled parsnips, carrots, and leeks, shucked corn, snipped basil and herbs. The 14-year-old even "dressed" a chicken for her, but didn't make her watch or listen. She splashed it into a pot to boil for hours.

Reina, Carlos, and Adrian brought fresh-baked bread, the yeast fragrance melding with the spicy meaty soup aroma in the humid kitchen alcove. When Marisela (who went by Mari now!) arrived with her pod mates, Rufus and Raquel, carrot cake, sparkle candles, and her little sister—who walked holding her hand—the 4-year-old immediately promised to behave herself to join "the adults."

—From "Cooking" Ch 18 of #RSMarsNeededWomen

Eating is something all humans do. Food and meals makes for common understanding between people, paupers and princesses, who might share nothing else in common. Meal and food shows up in Quentin Tarantino movies for a reason. That I can cook, means I can write the stuff from experience!

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