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#sciencefiction

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#PennedPossibilities 635 — Are there any specific cultural influences that shaped the world or characters in your story

Two major cultural influences, one not so good and one good. Contrast.

The main character comes from an end-stage religio-fascist oligarchy. She live's in Chicago. She's also an atheist and bristles under restrictions put on women. I work to give an impression of an Anglo-Saxon culture suffused with religion and hypocrisy, but I never describe the main character other than at least one of her children have dark hair like her. With a name like May Ri, you wonder about her heritage. Constricted by patriarchy, she chooses Mars hoping for opportunity.

On Mars, the first child born on the planet was borne by a Japanese refugee. She learns Japanese from her mother and teaches it to the other Nisei (first generation Martians in Japanese), and the cultural aesthetic plays a part in the plot, as do some specific Japanese words.

Beyond that, I drop hints all over that the colonists are culturally diverse and are from across the planet—and poor because who signs what's essentially a slave contract to work on Mars and bear children? The Nisei with absent fathers and overworked mothers (who build the colony) are raised communally and increasing develop their own society free of gender roles and constrained sexuality. A trans character plays a role, and skin color is seen a beautiful.

The people back on earth don't like this. Mars Needed Women is a story of cultural and planetary conflict.

[Author retains copyright (c)2025 R.S.]

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#PennedPossibilities 635 — Are there any specific cultural influences that shaped the world or characters in your story?

Many. Cultural influences play a significant role in shaping narratives and characters. I wanted to demonstrate an appreciation for diversity and invite the readers to explore the rich tapestry of (my) storytelling. (Ahem. I hope.)

I mean, I TRY to do that. The majority of us all do. That counts for something, right? Because diversity in all aspects is what I strive to get across and to showcase in my stories. Cyberpunk tales are no different. They're ripe for the picking. People of all different cultures, backgrounds, sexualities, money or status, walks of life, etc. They're are all there, and it's a beautiful mix of people, like a full-on cultural melting pot.

As for specific influences, I would have to say that I'm not really sure if I could stop and name any off of the top of my head. There are so many. Cyberpunk stories (like I already said) and science fiction fantasy tales are amazing that way. We can pull it all together, taking a little bit of everything to use. A variety of cultures can be found.

Here's just a few examples:
• Chinese
• African
• Italian
• Mexican
• Japanese

I think that's the beauty of it, finding inspiration from every walk of life and letting it guide and inspire your storytelling.

#PennedPossibilities 634 — MC POV: How much do you value companionship? Do you always keep people around, or do you prefer to be alone?

[Devil-girl] An odd question. I've never really thought about it. Companionship is good, and I enjoy it when people are around, like when I train at the gym or am at work. What I do is all about teamwork, so I'm good with people. Yet, I don't always keep people around. I really do like to throw open all the windows and study a good book. I live in a converted dance studio, so two walls open to the outside and the other two are mirrored. Laying on a mat, with the breezes, and the quiet you get living in a university town. Hmm. I guess I'm finding more use for what people call friends. I've certainly found a lot of use for men…

[Author retains copyright (c)2025 R.S.]

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#WritersCoffeeClub #WCC 2504.03 — How do you navigate scenes with many characters?

Carefully. I don't want to step on anyone's toes or disrupt them saying their lines.

In the Saying the Quiet Part Aloud department, I will admit that most of the advice I give is actually analysis of what I've written. I don't necessarily plan these things out, or have check lists. Sorry. What I do is simply write what I think sounds right, then go back and study whether it worked. I have plenty of experience (close to 2M words written), so I often get the sense of it right.

"Intuition!" you scoff, adding, "That's not helpful."

Here's a speed bump I navigated. Kyv is the current POV. I'm handing off to May Ri (the so-called princess).

...The book plate lit up. Kyv recognized the woman on vid[,saying]. "The Princess of Mars and her Five Daughters!"

May Ri, in her alighter outside, watched the growing crowd of men, wiry, lightly muscled, androgynous for that, all moonborne, adapted to 1/6th gravity. No weapons. She sighed. "You saw the vid of the nuking of Hershel?"

Handing off a POV is one way of navigating, I did that between those two paragraphs by transferring succinctly from the book plate (think cellphone doing FaceTime) Kyv is looking at to who he is looking at on said book plate. This is a 3rd person technique.

Beyond that, dialogue attribution is another technique I use. He said, she said. And you get to add a bit of visual or noise at the same time, which I call character tags. Indeed, you can avoid the said-ism in back and forths if the characters have an accent or manner of speech, but you have to be careful about that. While this seems like 3rd person also, keep in mind 1st POV characters often describe what's going on around them, and they do that in 3rd person, more so if they are telling a story of what happened to others.

[Author retains copyright (c)2025 R.S.]

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#ScribesAndMakers ##TTMD @sfwrtr @Nisaa

I see you are coming back from burnout. Any tips on how to avoid it?

I did answer that one so be sure to search the #TTMD hashtag, but my best answer was to ensure you can communicate to someone with your writing, if communicating is what counts for you. Since 2015, I have had a fan fiction outlet that generates feedback and page view to which I can write. However, being able to write replies to all you folk on Mastodon is also good.

I’m excited to see you are publishing your book to Mastodon in chapters. What made you decide to publish it that way?

I found a set of 31 women's rights prompts for March. Since the card was in French, the month name read "Mars." An SF feminist idea popped into my head. I took up the challenge. The result is pretty good (says the author immodestly), likely commercial quality with careful revision after fixing some science mistakes. Sadly, I've burnt my 1st Publication Rights sale by publishing even temporarily online. I'm now busy revising and adding material, and think I can make a go of selling it, probably as a self-pub.

Wanna read the completed story? It should be available for the next week: Mars Needed Women: eldritch.cafe/@sfwrtr/11426181

What’s a question you wish someone would ask you about your work?

How do you think Mars Needs Women does feminist lit differently?

I interpreted your question asking for a question as specifically for the web-novel, but it's applicable to my other works. How? By writing women embracing being female, but neither shamed nor accepting their fate. The story depicts women both as stuck in their role models thanks to their society, and redefining themselves and their roles when they seize the opportunity. The main character has to get married (but she does choose the gorgeous guy!) and has five daughters, but she's avoided the housewife trap on Earth as an engineer on Mars. Women are shown liking sex, nursing their infants in social situations, working on important projects, and convincing their husbands to assist in child care. Because the MC has a temper, she fights back when men in power interfere with the developing women's society. With the help of her daughters who become important side characters in the story, she finds cunning opportunities for the first generation of martian girls, and together they break open the patriarchal power structure that the conditions on Mars is causing to unravel.

PS: Sorry I took so long to answer. I was pretty messed up after the marathon compose, revise, publish grind during which I wasn't sleeping well.

[Author retains copyright (c)2025 R.S.]

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The cover art for Mars Needed Women. The background is of the Mars surface with rover tracks, big rocks, sand, and a greenish sky. There is a triskelion image of Mars, which is a tattoo in the story. Credit NASA and ESA for the photos. The back cover reads as follows:

Shanghaied

May Ri struggled when the EM goon clamped an aromatic wet rag over her nose and mouth...

Waking weightless and nauseated—stuffy head pounding, being floated somewhere—despite grogginess, she eyes-closed punched someone, spinning away to bounce off a wall. The click of cartilage, the thump off a bulkhead, the blare of a warning horn, and "Rig for ring spin!" rang in her ears. A tech clapped a bag over her mouth before she vomited up her last meal, while enduring the blonde's glare as blood beaded around her nose. May Ri glowered back. Sitting on the wall, dragged on her butt, her inner ear then her innards soon informed her the wall was becoming the floor.

From the author: 
“A hopeful deeply-dystopian feminist SF story, with thinly veiled jabs at our current world's bad actors making for a bad future. Please note the past tense in the title: Mars Needed Women.  The story's women are going to work to bring down the system, at least that part that's oppressing them, in a massive unscheduled 
disassembly.”
Eldritch CaféRS, Author, Novelist, Prosaist (@sfwrtr@eldritch.cafe)Attached: 2 images My feminist SF web-novel *Mars Needed Women* is complete! 23,300 words in 31 chapters, one chapter posted each day throughout March, the last posted 23 minutes ago as I write this. Check out the cover art. To read, either use the hashtag #RSMarsNeededWomen or this link to the first chapter: https://eldritch.cafe/@sfwrtr/114088945266387178 The full novel is in the thread. Just scroll to read. > “A hopeful deeply-dystopian feminist SF story, with thinly veiled jabs at our current world's bad actors making for a bad future. Please note the past tense in the title: Mars Needed Women. The story's women are going to work to bring down the system, at least that part that's oppressing them, in a massive unscheduled disassembly.” I'll leave it up for you to read for at least a week. After that, I'm revising it for later secondary publication. [Author retains copyright (c)2025 R.S.] #BoostingIsSharing #Writever #Mars #SpaceOpera #writer #author #sf #sciencefiction #scifi #feminism #gender fiction #writingCommunity #writersOfMastodon
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#PennedPossibilities 634 — MC POV: How much do you value companionship? Do you always keep people around, or do you prefer to be alone?

Alexios: It isn't about what I want or what I value. My friends stay close, and they always have. We're a family, choom. I'm thankful for it, too. If that means that I value friendship and companionship, then I guess so—the answer's yes.

Uncanny Stories vol. 1, no. 1 (April 1941)

He looks terrified and determined, but she’s just mildly concerned. Excuse me Steve, would you mind awfully rescuing me from the flying octopus creature?

Learn to be assertive in the workplace without coming across as aggressive, young women. Or, you know, overthrow the patriarchy.

Original magazine: archive.org/details/UncannySto

Gaia, the space observatory, won’t shut down easily now that its mission is over. Shades of Star Trek—TOS episode “The Changling,” “Star Trek: The Motion Picture.” You knew this would be a problem! 😊

@books @bookstodon @religion #ChristianSciFi #ProfessorK #space #sciencefiction #AI #StarTrek #Gaia #amwritingsf #secretscifinetwork

futurism.com/gaia-shutdown-tro

Futurism · Scientists Tried to Kill Spacecraft But It Was So Tough That It Refused to DieBy Victor Tangermann

#WritersCoffeeClub 2504.02 International Children’s Book Day! What makes for a good book for children?

I've no expertise other than being a fan of a certain cartoon that was supposed to have a 5-11 year-old demographic but succeeded because it didn't talk down to its audience. I also wrote a fantasy story in a 7-year-old's voice.

I think almost any story would work with the exception of things like bloody horror, excessive violence, or sex. Love between friends, people who are different, ghosts of family, even living with war are fair albeit difficult worthy topics, as well as is slice-of-life and finding normalcy in a not-normal world. The use of simpler vocabulary is a must, but a word or two that requires a dictionary is the happy medium, making the reader feel like they're also growing by participating. Storylines must be simplified appropriately, but neither dumbed down nor made condescending, and for goodness sake, never sugarcoated. There's plenty of hacks out there that can write a treacle tart that you can read to put a young kid to bed. A story that gently teaches about the real world that parents and children can appreciate and discuss? That's a priceless thing.

[Author retains copyright (c)2025 R.S.]

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