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#cinema

80 posts65 participants2 posts today

This week’s 5AM STORYTALK PODCAST bonus episode just dropped early on Substack. Amber Tamblyn – actress, director, author, poet, activist, wonderful human being – is back to break down a seminal piece of art from her life…LEGEND (1985). Together, we take a look at a key scene from one of Ridley Scott’s weirdest films!

#film #movies #cinema #writing #screenwriting #storytelling #ridleyscott

colehaddon.substack.com/p/bonu

5AM StoryTalk · Bonus Podcast: Amber Tamblyn Talks 'Legend' (1985)By Cole Haddon

#Cinema | A programação do Festival Imovision vem aí, mas já podemos sonhar.

14 filmes inéditos. 8 países.

📽️ Dreams – Dag Johan Haugerud
📽️ Emanuelle – Audrey Diwan
📽️ A Luz – Tom Tykwer
📽️ Monsieur Aznavour – Mehdi Idir & Grand Corps Malade
📽️ Síndrome da Apatia – Alexandros Avranas
📽️ Ópera! – Paolo Gep Cucco & Davide Livermore
📽️ Brincando com Fogo – Delphine & Muriel Coulin
📽️ Entre Nós, o Amor – Morgan Simon
📽️ O Último Moicano – Frédéric Farrucci
📽️ A Arte do Caos – Thomas Arslan
📽️ Em Qualquer Lugar, A Qualquer Hora – Milad Tangshir
📽️ Misty – Georges Gachot
📽️ Quando a Luz Arrebenta – Rúnar Rúnarsson
📽️ Você é o Universo – Pavlo Ostrikov

📅 De 24 a 30 de abril
📍 Cine Cultura Liberty Mall, SCN Quadra 2, Asa Norte, #Brasília, DF, Brasil

Mostra #Brasília em Cenas

Oportunidade de conhecer mais sobre a capital por meio do #cinema.

🎬 19 e 20.04 - 10h | 21.04 - 14h • MANUAL DO HERÓI, de Fáuston da Silva • Sessão Infantojuvenil
🎬 19.04 - 14h • O VAZIO DE DOMINGO À TARDE, de Gustavo Galvão • Sessão Acessível
🎬 19.04 - 16h • CAPITÃO ASTÚCIA, de Filipe Gontijo
🎬 19.04 - 18h • A CÂMARA, de Cristiane Bernardes e Tiago de Aragão
🎬 19.04 - 20h • BRANCO SAI, PRETO FICA, de Adirley Queirós
🎬 20.04 - 14h • DULCINA, de Glória Teixeira
🎬 20.04 - 16h • O ÚLTIMO CINE DRIVE-IN, de Iberê Carvalho
🎬 20.04 - 18h • RODAS DE GIGANTE, de Catarina Accioly
🎬 20.04 - 20h • SOMOS TÃO JOVENS, de Antonio Carlos da Fontoura
🎬 21.04 - 16h • Curta • VLADIMIR CARVALHO: CINEMA E MEMÓRIA, de Marcia Zarur
🎬 21.04 - 16h • PLANO B, de Getsemane Silva
🎬 21.04 - 18h • DEMOCRACIA EM VERTIGEM, de Petra Costa
🎬 21.04 - 20h20 • EDUARDO E MÔNICA, de René Sampaio

📍 Cine Brasília, EQS 106/107, Asa Sul, Brasília, DF, Brasil
🚇 Metrô: Estação 106 Sul
🔗 cinebrasilia.com

🕸glané sur le net🕸 Conjuguer cinéma et écologie: En Haute-Vienne, le festival Horizon Vert invite à penser autrement notre approche de l'environnement et notre relation au vivant.
-- file.png, SOLIDARITÉ UKRAINE, SUR LE VIF, ECOLOGIES, AGENDA leshumanites-media.com/post/ht #Cinéma #Écologie #FestivalHorizonVert #Environnement #HauteVienne

This Sunday at 9pm Eastern it's #MONSTERDON the weekly monster movie watch party! Join the rest of the Fediverse as we watch a bad movie and toot about it!

This week we're watching KRULL (1983), a high fantasy flop featuring myth, magic, and an impossibly young Liam Neeson.

The flick's available on Tubi, or you can download it from Archive.org right over here: archive.org/details/krull.-198

See you Sunday!

Shit i've been watching...

The Fall, 2006 - ★★★

Um... i don't get why this is so well liked. I've never seen a film that has "commercial director" written all over it in such a dull and predictable manner. No, as far as TV-commercial-gone-film directors go, this film has none of that Roy Andersson or Nobuhiko Obayashi juice to it. Sure, just like them, Tarsem Singh is very much in command of the frame here yet he can't ever transcend the slick artificiality of it all, like, you're just waiting for an airline, hygiene- or pharma product being shoved in your face the very next shot. The visuals are pretty much the main attraction of this film and still, everything comes across just a little bit too glossy and unimaginative to amount to anything more than a third-rate Terry Gilliam knock-off, some weird kind of arthouse-Zack Snyder or a live-action incarnation of that by-the-numbers blandness the UK's Cartoon Saloon studio keeps repeating on us ad nauseam. Just as stock and cliched is the (as i already said, quite Gilliam-derivative) plot and characters, making for a quite shaky foundation for the whole thing. For a film that is, supposedly, primarily about telling stories, those presented here are just lacking imagination and originality and the fact it tries way to hard for much of its running time to pull on the viewer's heartstrings without doing much to deserve all the fuss doesn't help either. What's left is a 120 minute travel advert complete with reality soap-level manufactured emotion and a pretty hollow excercise in style over substance. Dunno, if that shit impresses you, maybe just broaden your horizon regarding epics and fantasy a little bit. Watch yourself some other shit of varying meta-ness like Ran or Kwaidan or Holy Motors or Vij or Poor Things or Mad God or Marcel the Shell With Shoes On or The Seventh Seal or Synecdoche New York or The Love Witch or The Wolf House or Swiss Army Man or anything else that goes beyond the most basic fantasy/adventure-formulæ 'cos there's a whole world of fantastic cinema out there to be discovered. Or maybe just go straight back to the source and watch the fucking Princess Bride or some actual Terry Gilliam. I won't even judge you if it has to be The Fisher King. Just stop telling me how brilliant and imaginative The Fall is. Everything that happens here, i've seen before in some slightly different, usually more accomplished form.

https://letterboxd.com/groschi/film/the-fall/
#Film #Movies #Cinema #CineMastodon @film
letterboxd.comA ★★★ diary entry for The Fall (2006)

The new "A Minecraft Movie" was drubbed by critics (its Rotten Tomatoes score is 48%) but it's the first big movie theater hit of the year, opening to $163 million domestically. That's the best ticket sales ever for a game-to-film adaptation. @Variety tries to figure out the secret sauce behind the movie's success with audiences. Tell us your theories — and your favorite video game movie adaptation — in the comments.

flip.it/_alqae

Minecraft Movie
Variety · 'A Minecraft Movie' Box Office Success: How It Became a BlockbusterBy Rebecca Rubin
#Movies#Film#Cinema